东方文化、“生活美学”与欧美现代派诗歌

Oriental Culture, “Life Aesthetics” and European and American Modernist Poetry

Reporter主讲人： Dr. Ou Rong 欧荣 教授

Date & Time时间： 19:00-21:00, Thursday, December 3, 2020

2020年12月3日周四19:00-21:00（请提前10分钟入场）

Venue地点：商学院 CBPM C119

Ou Rong：

Professor Ou Rong holds a Ph. D. in English Language and Literature from Shanghai International Studies University (2007), and is currently professor of Comparative Literature and Transcultural Studies and dean of the School of International Studies, Hangzhou Normal University, China. She has been a visiting scholar at University of Cambridge in the UK, the University of California at Berkeley and Linnaeus University in Sweden. Her research interests are in modern and contemporary Anglo-American literature, East-West literary relations, interart poetics and intermedial studies.  She has published books and articles on David Lodge, Ezra Pound, W. B. Yeats, William Faulkner, D. H. Lawrence, F. R. Leavis, etc. The recent publication is Les Fleurs dul Mal: Urban Writing in Anglo-American Modern Poetry (Peking University Press, 2018). She is doing a research project on interart poetics funded by NSSFC.

欧荣：

英语语言文学博士，杭州师范大学外国语学院教授，院长。先后在英国剑桥大学、美国加州大学伯克利分校和瑞典林奈大学做访问学者。主要从事现当代英美文学、比较文学、跨艺术跨媒介研究。

先后主持国家社科基金项目4项（其中重点1项），省部级课题2项；在《外国文学评论》《外国文学研究》《外国文学》《当代外国文学》《英美文学研究论丛》、Journal of Arthur Miller Society等国内外学术刊物发表论文数十篇，近期出版专著《“恶之花”：英美现代派诗歌中的城市书写》（北京大学出版社，2018），获第二十届浙江省哲社科研成果一等奖（2019）。

Topic: Oriental Culture, “Life Aesthetics” and European and American Modernist Poetry

19世纪中叶，随着日本向西方开放港口和明治维新运动，日本加强与西方的政治和经贸交流，其文化和艺术也逐渐被西方人所了解，欧美随之兴起“日本风”（Japonisme），但中国艺术的宝库很快向西方打开，到了20世纪初中国文化对西方文坛的影响更具穿透力。

In the mid of 19th century, with the ports opening and the Meiji Restoration Movement, Japan had strengthened its political and economic and trade exchanges with the west, its art and culture was also gradually known by westerners. Thus there was the rise of Japonisme in Europe and the United States, but the art treasury of China was soon opened to the Occident, and by the early 20th century， Chinese cultural influence on western literature was more penetrating.

兴起于19世纪末的欧美“日本热”（Japonisme）和随后的 “中国风”（chinoisme ）成为欧美现代主义运动的又一源动力。

The “Japonisme” and the “Chinoisme” in Europe and America at the end of the 19th century became another motive force of the modernism movement in Europe and America.

讲座以历史的语境，解析那些背井离乡来到西方的中国艺术品如何成为传播东方文化的媒介，传达了东方人诗意的艺术理念和人生智慧，以及中国古典诗歌如何对美国现当代诗歌产生影响，从而促进美国“新诗”的“复兴”。

In historical context, the lecture analyzes how those Chinese works of art that have left their hometown and came to the Occident as the media of the Oriental culture’s spreading, conveying the artistic idea and life wisdom of the Oriental poetics, and how Chinese classical poetry has influenced modern and contemporary American poetry, thus promoting the “revival” of American “New Poetry”.