2019国情与文化教育系列讲座：全球化、消费社会与“草根”的节庆

Reporter主讲人： Dr. YunZe Xiao 肖云泽 博士

Date & Time时间： 18:30-20:30，Wednesday,23th October, 2019

2019年10月23日周三18:30-20:30（请提前10分钟入场）

Venue地点：     (商学院C135)

肖云泽博士简介：

肖云泽，男，华东师范大学社会学博士，现为浙江工业大学浙江省重点培育智库浙江省舆情研究中心专职研究员。主要从事文化社会学、政治社会学、社会心态与公共政策研究，承担省部级以上项目多项，曾在《Logos & Pneuma》等A&HCI权威期刊发表论文多篇。

Dr.Xiao Yunze, who acquired his PhD. degree in sociology at East China Normal University, is now a full-time researcher of Zhejiang public opinion research center, a Zhejiang Province funded think tank at Zhejiang University of Technology. He is mainly engaged in cultural sociology, political sociology, social psychology and public policy research. Dr. Xiao has undertaken many projects above provincial level, and has published many papers in the authoritative A & HCI journals such as Logos & Pneuma.

讲座简介：

Introduction:

节庆（节日）是日常生活的重要截面，是国家施行文化治理的基本策略，也是文化共同体保持同一性、连续性和实质性的符号边界。但自资本主义世界体系延展以来，全球化、消费社会成为文化生产的基本机制，东西方社会的节庆出现了彼此之间的交融、形式变迁，呈现了文化发明或文化创造的景象。我们试图“眼光向下”，以春节、圣诞节等在东西方“草根”阶层中的传播、挪用、争议、抵抗为例，来探讨这些被卷入的群体在全球化、消费社会中的文化创造。在当下的全球化与反全球化角力，以“乡愁”叙事阻抗消费社会的精英话语下，这些“草根”的文化创造具有独特的社会诗学意义。

Festival is an important section of daily life, the basic strategy of national cultural governance, and the symbolic boundary of cultural community to maintain identity, continuity and substance. However, since the extension of the capitalist world system, globalization and consumer society have become the basic mechanism of cultural production. The festivals of the eastern and western societies have been mixed and influenced with each other, presenting the new era of cultural invention or cultural creation. We try to “look down” and observe the spread, misplacement, controversy and conflict of Spring Festival, Christmas and other grass roots festival from the East and West. Those festivals as examples to explore the cultural creation in globalization and the consumer society. In the current struggle of globalization and anti-globalization, the cultural creation of grass roots has a unique social poetic significance under the discourse of “nostalgia” which resists consumer society from elite perspective.